Actualités de la Recherche en histoire visuelle

• Deborah Cherry, "Introduction: About Stephen Bann".
• Wolfgang Ernst, "Let There be Irony: Cultural History and Media Archeology in Parallel Lines".
• Michael Fried, "Unfurled".
• Zhang Hongxing, "Re-reading Inscriptions in Chinese Scroll Painting: the 11th to the 14th Centuries".
• Michael Charlesworth, "The Imaginative Dimension of an Early 18th-Century Garden: Wentworth Castle".
• Poem Prints.
• Susan L. Siegfried, "Faith in Material. Christ Giving the Keys to Saint-Peter by Ingres".
• Paul Duro, "Giving up on History? Challenges to the Hierarchy of the Genres in Early 19th-Century France".
• Martin Bressani, Marc Grignon, "Henri Labrouste and the Lure of the Real: Romanticism, Rationalism and the Bibliotheque Sainte-Geneviève".
• Richard Shiff, "Something is Happening".
• Jean-Louis Schefer, "Le Voyageur: The Perfect Traveller|]".
• Reviews: Tonio Hölscher, The Language of Images in Roman Art; Rachel Ann Dressler, Of Armor and Men in Medieval England: the Chivalric Rhetoric of Three English Knights' Effigies; Herbert L. Kessler, Seeing Medieval Art; Valentin Groebner, Defaced: The Visual Culture of Violence in the Late Middle Ages; Gary Vikan, Sacred Images and Sacred Power in Byzantium; Julia Gerasimova, The Iconostasis of Peter the Great in the Peter and Paul Cathedral in St Petersburg; Steven Harris, Surrealist Art and Thought in the 1930s: Art, Politics and the Psyche; Conor Joyce, Carl Einstein in Documents and his Collaboration with Georges Bataille; Helen Langa, Radical Art: Printmaking and the Left in 1930s New York; Catherine Moriarty, The Sculpture of Gilbert Ledward; Mark Sladen, Helen Chadwick: a Legacy Reassessed; Marsha Meskimmon, Women Making Art. History, Subjectivity, Aesthetics.

Avalaible online: http://www.blackwell-synergy.com/loi/ahis.